Major figures in contemporary anthropology present a dialogic critique
        of ethnography. Moving beyond sociolinguistics and performance theory,
        and inspired by Bakhtin and by their own field experiences, the contributors
        revise notions of where culture actually resides. This pioneering effort
        integrates a concern for linguistic processes with interpretive approaches
        to culture.
      Culture and ethnography are located in social interaction. The collection
        contains dialogues that trace the entire course of ethnographic interpretation,
        from field research to publication. The authors explore an anthropology
        that actively acknowledges the dialogical nature of its own production.
        Chapters strike a balance between theory and practice and will also be
        of interest in cultural studies, literary criticism, linguistics, and
        philosophy.
      CONTRIBUTORS: Deborah Tannen, John Attinasi, Paul Friedrich, Billie
        Jean Isbell, Allan F. Burns, Jane H. Hill, Ruth Behar, Jean DeBernardi,
        R. P. McDermott, Henry Tylbor, Alton L. Becker, Bruce Mannheim, Dennis
        Tedlock
 

Finding Cholita is fictionalized ethnography of the Ayacucho region of Peru covering a thirty-year period from the 1970s to today. It is a story of human tragedy resulting from the region's long history of discrimination, class oppression, and then the rise and fall of the communist organization Shining Path. The story's narrator, American anthropologist Dr. Alice Woodsley, attempts to locate her goddaughter, Cholita, who is known to have joined Shining Path and to have murdered her biological father, who fathered her through rape. Searching for Cholita, Woodsley devotes herself to documenting the stories of the countless Andean peasant women who were raped by soldiers, often going beyond witnessing as she helps the women relieve the pain of their sexual horror.

This edited volume brings together several scholars who have produced outstanding ethnographies of Andean communities, mostly in Peru but also in neighbouring countries. These ethnographies were published between the 1970s and 2000s, following different theoretical and thematic approaches, and they often transcended the boundaries of case studies to become important reference works on key aspects of Andean culture: for example, the symbolism and ritual uses of coca in the case of Catherine J. Allen; agricultural rituals and internal social divisions in the case of Peter Gose; social organisation and kinship in the case of Billie Jean Isbell; the use of khipus and concepts of literacy in the case of Frank Salomon; and the management and ritual dimensions of water and irrigation in the case of Ricardo Valderrama and Carmen Escalante. In their chapters the authors revisit their original works in the light of contemporary anthropology, focusing on different academic and personal aspects of their ethnographies. For example, they explain how they chose the communities they worked in; the personal relations they established there during fieldwork; the kind of links they have maintained; and how these communities have changed over time. They also review their original methodological and theoretical approaches and findings, reassessing their validity and explaining how their views have evolved or changed since they originally conducted their fieldwork and published their studies. This book also offers a review of the evolution and role of community ethnographies in the context of Andean anthropology. These ethnographies had a significant influence between the 1940s and 1980s, when they could be roughly divided – following Olivia Harris – between ‘long-termist’ and ‘short-termist’ approaches, depending on predominant focuses on historical continuities or social change respectively. However, by the 1990s these works came to be widely considered as too limited and subjective in the context of wider academic changes, such as the emergence of postmodern trends, and reflective and literary turns in anthropology. Overall, the book aims to reflect on this evolution of community ethnographies in the Andes, and on their contribution to the study of Andean culture.

In eighteenth- and nineteenth-century Britain, books of travel and exploration were much more than simply the printed experiences of intrepid authors. They were works of both artistry and industry—products of the complex, and often contested, relationships between authors and editors, publishers and printers. These books captivated the reading public and played a vital role in creating new geographical truths. In an age of global wonder and of expanding empires, there was no publisher more renowned for its travel books than the House of John Murray.

Drawing on detailed examination of the John Murray Archive of manuscripts, images, and the firm’s correspondence with its many authors—a list that included such illustrious explorers and scientists as Charles Darwin and Charles Lyell, and literary giants like Jane Austen, Lord Byron, and Sir Walter Scott—Travels into Print considers how journeys of exploration became published accounts and how travelers sought to demonstrate the faithfulness of their written testimony and to secure their personal credibility. This fascinating study in historical geography and book history takes modern readers on a journey into the nature of exploration, the production of authority in published travel narratives, and the creation of geographical authorship—a journey bound together by the unifying force of a world-leading publisher.